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Popular Photography ND

Release Date: 1950-04
Pages: 154 pages
ISBN 13:
ISBN 10:
Format: PDF, ePUB, MOBI, Audiobooks, Kindle


Travel Marketing and Popular Photography in Britain, 1888–1939
Language: en
Pages: 222
Authors: Sara Dominici
Categories: Photography
Type: BOOK - Published: 2017-10-05 - Publisher: Routledge

This book explores how popular photography influenced the representation of travel in Britain in the period from the Kodak-led emergence of compact cameras in 1888, to 1939. The book examines the implications of people’s increasing familiarity with the language and possibilities of photography on the representation of travel as educational concerns gave way to commercial imperatives. Sara Dominici takes as a touchstone the first fifty years of activity of the Polytechnic Touring Association (PTA), a London-based philanthropic-turned-commercial travel firm. As the book reveals, the relationship between popular photography and travel marketing was shaped by the different desires and expectations that consumers and institutions bestowed on photography: this was the struggle for the interpretation of the travel image.
Popular Photography
Language: en
Authors: Sara Dominici
Categories: Cinematography
Type: BOOK - Published: 2010 - Publisher:

Books about Popular Photography
Popular Photography and the Indonesian Culture of Documentation in Postcolonial Java
Language: en
Authors: Karen Strassler
Categories: Cinematography
Type: BOOK - Published: 2003 - Publisher:

Books about Popular Photography and the Indonesian Culture of Documentation in Postcolonial Java
Mina Loy, Twentieth-Century Photography, and Contemporary Women Poets
Language: en
Pages: 296
Authors: Linda A. Kinnahan
Categories: Literary Criticism
Type: BOOK - Published: 2017-03-16 - Publisher: Taylor & Francis

In Mina Loy, Twentieth-Century Photography, and Contemporary Women Poets, Linda A. Kinnahan explores the making of Mina Loy’s late modernist poetics in relation to photography’s ascendance, by the mid-twentieth century, as a distinctively modern force shaping representation and perception. As photography develops over the course of the century as an art form, social tool, and cultural force, Loy’s relationship to a range of photographic cultures emerging in the first half of the twentieth century suggests how we might understand not only the intriguing work of this poet, but also the shaping impact of photography and new technologies of vision upon modernist poetics. Framing Loy’s encounters with photography through intersections of portraiture, Surrealism, fashion, documentary, and photojournalism, Kinnahan draws correspondences between Loy’s late poetry and visual discourses of the body, urban poverty, and war, discerning how a visual rhetoric of gender often underlies these mappings and connections. In her final chapter, Kinnahan examines two contemporary poets who directly engage the camera’s modern impact –Kathleen Fraser and Caroline Bergvall – to explore the questions posed in their work about the particular relation of the camera, the photographic image, and the construction of gender in the late twentieth century.
Decisions of the Commissioner of Patents and of the United States Courts in Patent and Trade-mark and Copyright Cases
Language: en
Authors: United States. Patent Office
Categories: Copyright
Type: BOOK - Published: 1943 - Publisher:

"Compiled from Official gazette. Beginning with 1876, the volumes have included also decisions of United States courts, decisions of Secretary of Interior, opinions of Attorney-General, and important decisions of state courts in relation to patents, trade-marks, etc. 1869-94, not in Congressional set." Checklist of U. S. public documents, 1789-1909, p. 530.
Popular Photography
Language: en
Authors: Frank Roy Fraprie
Categories: Photography
Type: BOOK - Published: 1915 - Publisher:

Books about Popular Photography
Language: en
Pages: 488
Authors: Liz Wells
Categories: Art
Type: BOOK - Published: 2021-07-09 - Publisher: Routledge

Now in its sixth edition, this seminal textbook examines key debates in photographic theory and places them in their social and political contexts. Written especially for students in further and higher education and for introductory college courses, it provides a coherent introduction to the nature of photographic seeing. Individual chapters cover: • Key debates in photographic theory and history • Documentary photography and photojournalism • Personal and popular photography • Photography and the human body • Photography and commodity culture • Photography as art. This revised and updated edition includes new case studies on topics such as: Black Lives Matter and the racialised body; the #MeToo movement; materialism and embodiment; nation branding; and an extended critical discussion of landscape as genre. Illustrated with over 100 colour and black and white photographs, it features work from Bill Brandt, Susan Derges, Rineke Dijkstra, Fran Herbello, Hannah Höch, Mari Katayama, Sant Khalsa, Karen Knorr, Dorothea Lange, Susan Meiselas, Lee Miller, Ingrid Pollard, Jacob Riis, Alexander Rodchenko, Andres Serrano, Cindy Sherman and Jeff Wall. A fully updated resource information, including guides to public archives and useful websites, full glossary of terms and a comprehensive bibliography, plus additional resources at routledgetextbooks.com/textbooks/9780367222758/ make this an ideal introduction to the field.
Popular Photography: The Most Iconic Photographs in History
Language: en
Pages: 192
Authors: Popular Photography, Kathleen Perricone
Categories: History
Type: BOOK - Published: 2022-01-25 - Publisher: Simon and Schuster

More than 125 Photos That Changed Our World. Get the fascinating stories behind the greatest pictures ever taken. So said famed French film director Jean-Luc Godard about the incredible moments that can be captured in an image. In the nearly 200 years since the first photograph was taken, the art form has revolutionized history and created eyewitness accounts of what we would not have otherwise seen, from the devastation of war and the brilliance of human achievement to nostalgia’s fondest memories. Popular Photography: The Most Iconic Photographs in History highlights more than 125 of the most important images ever taken, from victories to memorials, coronations to assassinations, iconic moments, groundbreaking discoveries, thrilling comebacks, social revolutions and much more. It’s an inspirational look at history and modern society in a way no mere words can explain.
Journalism and Popular Culture
Language: en
Pages: 224
Authors: Peter Dahlgren, Colin Sparks, Professor Colin Sparks
Categories: Journalism
Type: BOOK - Published: 1992-01-16 - Publisher: SAGE

In counterpoint to conventional examinations of images of journalism which tend to concentrate on its informational role in the political process, this book provides a lively analysis of journalism in its other guise - as entertainment. In a series of interrelated studies, the authors examine the theoretical problems in assessing popular journalism and consider common examples of its manifestations - its relationship to media stars, the coverage of sport, and the presentation of news in a popular' form.
Photography and Its Origins
Language: en
Pages: 254
Authors: Tanya Sheehan, Andres Zervigon
Categories: Photography
Type: BOOK - Published: 2014-11-20 - Publisher: Routledge

Recent decades have seen a flourishing interest in and speculation about the origins of photography. Spurred by rediscoveries of ‘first’ photographs and proclamations of photography’s death in the digital age, scholars have been rethinking who and what invented the medium. Photography and Its Origins reflects on this interest in photography’s beginnings by reframing it in critical and specifically historiographical terms. How and why do we write about the origins of the medium? Whom or what do we rely on to construct those narratives? What’s at stake in choosing to tell stories of photography’s genesis in one way or another? And what kind of work can those stories do? Edited by Tanya Sheehan and Andrés Mario Zervigón, this collection of 16 original essays, illustrated with 32 colour images, showcases prominent and emerging voices in the field of photography studies. Their research cuts across disciplines and methodologies, shedding new light on old questions about histories and their writing. Photography and Its Origins will serve as a valuable resource for students and scholars in art history, visual and media studies, and the history of science and technology.
Proust, Photography, and the Time of Life
Language: en
Pages: 256
Authors: Suzanne Guerlac
Categories: Philosophy
Type: BOOK - Published: 2020-11-12 - Publisher: Bloomsbury Publishing

Through an engagement with the philosophies of Proust's contemporaries, Félix Ravaisson, Henri Bergson, and Georg Simmel, Suzanne Guerlac presents an original reading of Remembrance of Things Past (A la recherche du temps perdu). Challenging traditional interpretations, she argues that Proust's magnum opus is not a melancholic text, but one that records the dynamic time of change and the complex vitality of the real. Situating Proust's novel within a modernism of money, and broadening the exploration through references to cultural events and visual technologies (commercial photography, photojournalism, pornography, the regulation of prostitution, the Panama Scandal, and the Dreyfus Affair), this study reveals that Proust's subject is not the esthetic recuperation of loss but rather the adventure of living in time, on both the individual and the social level, at a concrete historical moment.
Photography and History in Colonial Southern Africa
Language: en
Pages: 278
Authors: Lorena Rizzo
Categories: History
Type: BOOK - Published: 2019-09-16 - Publisher: Routledge

This book studies the relationship between photography and history in colonial Southern Africa, using a series of encounters with Southern African photographic archives to reflect on photography as a distinct historical form. Through use of private and public archives, images produced by African itinerant photographers, white settlers, and colonial state institutions, this book explores the relationship between photography and history in colonial Southern Africa. Late nineteenth century Cape Colonial prison albums, police photographs from German Southwest Africa, African studio portraits, identity documents, travel permits and passports from the 1920s and 1930s, visual studies of whiteness and blackness authored by settler photographers, South African dompas photographs from the 1950s and 1960s, and aerial photography from the Eastern Cape in the mid-twentieth century are examined to highlight the ways in which photographic images cut across conventional institutional boundaries and complicate rigid distinctions between the private and the public, the political and the aesthetic, the colonial and the vernacular, or the subject and the object. Photography and History in Colonial Southern Africa argues that rather than understanding photographs as a means of preserving and recreating the past in the present, we can value them for how they evoke at once the need for and the limits of historical reconstruction. This book will be of interest to students and scholars of colonial history, photographic history, visual media, and African studies.